2/7/10 – Blog- Copyright © J.B. Drori – 2010

Dear Readers,

Recently, a reader told me he prefers to have available to him completed books rather than waiting for installments.  That gave me pause.

I wonder whether this sentiment is prevalent.  How do you feel about that?  Would you favor to have a printed copy of my novel instead of depending on this blog?

I’d appreciate your input.

ANCIENT STONES

CHAPTER  10

   In the winter of 1931, our first year in Brooklyn, an early snowstorm careened down the northeast coast from the frigid Arctic.  At the end of December the temperature in our unheated flat fell to freezing.  By evening I escaped to bed, my shelter from the bitter cold.

   Late that night, deep moans and loud sobs, resounding from a dimly illumined kitchen, shook me awake.  I rushed in, dragging my blanket on my shoulders, and stopped cold in my tracks at the door.  An apparition, swaying to and fro amidst the long shadows on the walls and ceiling, loomed before me.  Ashen-faced Rebecca, half covered by her winter coat, was holding Sarah’s hands and consoling her.  My grandmother, her shawl dangling off her shoulders, bobbing back and forth, was wringing her hands and shedding tears.

   “What happened?” I asked, exhaling white vapors as I stepped into the long shadows.

   “This telegram came a few hours ago,” Rebecca said.  “Daniel died today.”

   I stole a glance at the telegram lying at her feet. 

   “Grandfather?  Was he sick?”

   “Yes.  Five months.  He died of cancer.” 

   “Did you know?”

   “Yes,” Rebecca said.  “Joseph wrote us.  We didn’t mention it to you because it didn’t sound serious.  About a week ago he took a sudden turn for the worse.  Katerina and Joseph have been looking after him.”

   I pulled my blanket up, moved closer and placed my hands on Sarah’s shoulder.  “How old was he?”

   “Sixty nine.”

   I stared at the shadows behind them for a long while.  Then I slowly backed out of the kitchen and retreated to my bed.

   Sarah’s groans and Rebecca’s monotone voice droned on.  I pulled my bed-covers over my head, seeking the tranquility of sleep.  Instead, my mind active, I stared into darkness.  Daniel’s wife and daughter had been indifferent to him when he lived, so how had his death spawned so much grief?  Should I, too, be distressed?  Even if I don’t feel it?  “No! No! I don’t want to pretend,” I muttered and turned on my side.

   The hours, freighted down with the crying and sobbing in the kitchen, lumbered on.  I finally drifted off to sleep just as glimmers of light flickered in the remote black sky outside my window.

   Sarah did not regain her composure for three days.  Sunken eyes betrayed sleepless nights, a raspy voice and a listless walk bespoke of a heavy heart.  Her sorrow heightened my sadness for her but also augmented my perplexity.  What had caused her bereavement?  I needed to understand.  But one glance at her stony face and hard eyes clamped my mouth shut.

   The next day Sarah greeted me at the front door and said, “You must say Kaddish for Daniel.”

   I had just drudged up our long street, coming home from school.  The sidewalk and the trolley tracks were hidden under heaps of pristine white snow.

   I scowled at Sarah.  She was demanding of me to go to the synagogue to pray for her husband’s soul.  The Kaddish, according to an ancient tradition, enhanced the departed spirit of a parent to reach its haven in paradise.  It was incumbent on sons, and daughters only if they chose, to recite the mourning prayer three times a day, morning and evening, except on Shabbat, for eleven months.  That was a sacred duty, the last act of reverence offered on behalf of a parent.

   “Why me?” I protested.  “Joseph is his son.  He’ll say Kaddish.”

   “Perhaps.  But you should, too.” 

   I turned away from her, removed my coat and crossed the kitchen.  What was Daniel to me and I to him?  Except for begetting my mother, what else had he ever done for me?  Had he tried to fill the place of my father?  Did he take me to the synagogue?  To a movie?  To a ballgame?  Did he ever put his arms about me?

   “I don’t want to,” I yelled and moved away from Sarah, strangled by my words.  ”I didn’t recite the Kaddish for my own father and my mother why should I for him?” 

   A foggy image of my parents’ tangled crimson bodies on the cold Lvov train station floor took shape before my brimful eyes.  “I don’t even know what my parents look like.  I don’t even have a photograph.  And where are they buried?  It’s as if they had never existed.”

   Weeping, Sarah unfolded her arms and pulled me to her bosom.  “That is why we say the Kaddish, my dear Jacob, so that we don’t forget those who have once lived.”

   I felt my inner hardness fall away and break out into sobs as I clung to my grandmother, her tears dripping on my head.

   We held each other for what seemed an eternity.  After a while, I stepped back, wiped my eyes and poured us some water.

   “What about the funeral?” I asked Sarah, placing a full glass before her on the kitchen table. “You are Daniel’s wife.  Shouldn’t you go?”

   “Rebecca can’t get any time off from work and I don’t have money.”

   “You can get some from Joseph.  You’ve done it before.”

   “No, not this time,” Sarah said, “he has enough troubles.” 

   I snickered.  “You didn’t hesitate to ask for bus money to move from Detroit to Brooklyn.”

   “That was different.”

   “How?”

   “To get on with our lives,” she said and got up to make herself a glass of tea.

   I put my head on my folded arms on the table and closed my eyes.  Surely, I pondered, Sarah was aware of the contradiction in her statements.  Wasn’t a funeral as sacred as the Kaddish?  So why is she ignoring that?  Perhaps, I mused, pretending things are not what they are may be the only way to manage them sometimes.

(To be continued next week)

Is writing a business? A Question

Copyright © William Stong 2010

They say that writing’s a business.  Strange animal, this writing business.

After the fact (fact = something is published), writing actually does look like a business.  A product is manufactured, marketing and advertising is done, orders are taken, product is shipped.  That much is visible. The process even has attributes clearly recognized in any other business venture.  There are costs, prices, discounts, sellers, customers, buyers, financial books.  There are marketing statistics about products sold, Profit & Loss statements, even Balance Sheets. Publishing companies have stock prices, analyst expectations, quarterly earnings,…all the trappings of a normal business.

But before the fact; well, that’s a different picture.  There’s no product, really.  An idea.  But not one that is turned into a tangible product like an automobile or a cork screw.  There’s a product life cycle, but one unlike in any other business.

In the normal world, in the beginning, there is an idea.  It’s pursued and, if it doesn’t get totally shot down, a proto-type may be created.  This proto-type is shopped around, it’s refined based on feedback and, if it still looks promising, financial backing is obtained. After a detailed business plan and model to lay out all the tasks in bringing the product to market, initial investment is made.  There is a launch, and the product succeeds or fails depending on how well it meets market needs identified earlier in the process.

But writing? Well, there is an idea.  And it is pursued, but almost always by only one individual.  A proto-type?  Maybe—that could be the outline, something down on paper that is more or less a fair skeleton for the ultimate body of work.

Then there is another step: the First Draft.  The completion of this step is a huge commitment in time and effort by the author.  Note: for most authors no financial arrangement is even hinted at during this phase.  Unfortunately, unless you are an established author, or someone at the center of a story that everybody wants to hear, there ain’t no fundin’.

The First Draft isn’t anywhere near ready for the market.  Probably not even for limited “test marketing.”  No, now there is a long, long haul of editing the first conglomeration of words that have coalesced themselves into a “proto-book.”

With nature’s evolution, the first replicating molecule had a long haul ahead of itself, lots of trials & errors and tons of mutations as life grew and changed.  It’s the same way with a book.

All on your own nickel.

Initial investment?  Tons of your time, work, sweat, creativity.  And learning.

Lots of learning!

Bill

Written Words: Visible Thoughts TM

Email: william.a.stong@gmail.com

PHW # 38

Copyright © William A. Stong 2010

Spatial Images: The Green City 3/x  (Hjersman)

Copyright  ©  Peter Hjersman 2010 

 

     I will definitely keep in touch with the king, I thought, as I slowly went to the room of the person suspected of poisoning the nutrient liquid.  He brusquely opened the door and stepped forward with force and a frown. 

     “What do you want?” he asked, shoulders hunched, leaning forward, one hand appeared to be holding something inside the doorway. 

     I sharply inhaled. 

     “Sorry to bother you…uh…” 

     “Go away,” he said, as he slammed the door and fastened the door locks. 

    How will I find if he was the culprit?  Ah, the storage area.  I started down the stairs and tried to open his unit—and heard loud footsteps coming down.  He grabbed my arm and pulled me away from the storage.  My hand still held the partially opened door.  As I was wrenched backwards, the door swung open and there they were: boxes of rat poison. 

     “Wha…what are those for?” I stammered. 

     “Hah.  If this city of yours is a fantasy, why are you so upset?” 

     I pulled my arm out of his grip and fled up the stairs. 

     “King Anabar?  I found a couple of empty and some unused boxes of rat poison in his storage area.  I confronted him and he cheerfully admitted that he added poison.  What can we do?” 

     “Bring him here.  I know that seems like we are rewarding him for his evil deed.  Once I meet him and show him some things, he will know how wrong he was.” 

     I went home.  I love where I live but now I wanted to be anywhere else. 

     “King Anabar wants to meet you.  He is waiting,” I said shaking. 

     “About time,” he said with a sneer. 

     We arrived not to the glorious city view I first saw, but to a dark, moist room.  Someone directed us to a doorway.  We found women and children crying and holding their stomachs with white-coated people hustling amongst them.  The cries, the moans, the occasional scream were rampant. 

     “Are you sick?  Did you eat food from the poisoned solution?  No, then please leave.  We need all the space we have to treat the sick people,” said one white coat and hurried away. 

     The guy with me started shaking.  He grabbed the edge of a table and left all his food in a smelly pile on the floor.  One white coat rushed over but he pushed the coat away. 

     “I am not poisoned, at least not my stomach,” he said. 

     We went through an exit into a long corridor.  At the end, we saw a light. 

     Part way along, he vomited again, this time with only a thin, vile liquid coming out. 

    “That’s bile,” I said, “Your stomach has nothing left to give.” 

     When we went out the door, a woman came with towels, both wet and dry.  He washed his face and hands and dried them.  She handed him a green solution, which he drank but stopped halfway through and dropped the glass.  His face shattered as the glass shards splattered.  He was past bile but his stomach tried again.  Then he collapsed on the floor, cried, more empty vomit, and dirtied his pants. 

     She bent over and softly said: “This has no poison.  I have given you the most nutritious, healthful sustenance.  If you can keep it down, you will feel better in a short time.  Here, keep this bottle for him.  When he is ready, this will help him,” and handed me the bottle.  

     Three more came.  Two took him away and one motioned for me to follow.  He took me to King Anabar. 

     “I understand your, uh, friend…did not like what he saw.” 

     I slowly came to the King, dropped my head, and waited. 

     “Please, come, sit here.  He will be with us shortly.  He and I will chat and then I will ask you to show him the city.” 

     In a bit, a woman came and the king indicated for me to go with her.  She showed me new parts of the city, answered my questions and asked me about my world.  Then another woman came with the guy I brought.  His clothes were clean and he looked penitent, to say the least.  He was not the cocky, rough person I knew, but quiet, which I thought was not within him. 

     As he emerged from the door, his first glance of the Green City was sudden; no coming in lightly.  Again, he fell to the ground and cried.  A chair appeared and they helped him into it. 

     “Three shocks is a specialty of the king,” one person said. 

     Three shocks, I thought, what…oh, the injured, the king’s words, and now the city.  One to get his attention, two to confirm he hears and understands, and three to show what might have been destroyed.  Wow, my introduction to the Green City was naught to this. 

###

 

Blog for 1/31/2010. 

Copyright   J. B. Drori – 2010

Dear Readers,

Last week I posted the first half of chapter 9 of my novel, ANCIENT STONES.  Today’s post is the remainder.  I hope you’re enjoying reading it.  Your comments are important to us.

ANCIENT STONES

Chapter 9

   The principal at Saint Fitzgerald Public School in Detroit had not properly monitored my progress in English, failing to promote me to grade level at the right time.

   Consequently I was registered in the fourth grade at Public School 210 in Brooklyn, one month before my twelfth birthday, two years behind my peers.  I entered the classroom the next morning and took a middle seat in the first row.  The teacher, a slim middle-aged blonde, wearing a long black dress, was in the middle of explaining the grammatical structure of an English sentence.  That was the first time I had heard the word ‘grammar’.  Almost a full year passed before I finally grasped the structural fundamentals of the English language.  That was an enormous boost to my confidence in the use of English and fitting in.  I was always grateful to the blonde teacher for her patience with me. 

   At the end of our first week in Brooklyn, I rose early one day, before Rebecca left for work.  She nodded to me as I took a seat at the kitchen table. 

   “Boker Tov,” I mumbled in Hebrew, as per our usual. 

   “Good morning to you too.”

   “Where is Mama?” 

   “In the bathroom.”

   “Rebecca,” I said, searching for the right words, “can I ask you something?”

   My sister looked up at me, raising her eye brows.  “What’s the problem?  You never ask for permission to ask a question.”

   “You told us you’d been writing to Alon from the first week we arrived in America.  So, if you liked him that much, why did you push Sarah to leave Tel-Aviv?  I sure didn’t want to.”

   Rebecca glared at me and sprang to her feet, scraping her chair back.

   “Jacob, you ask too many questions,” my sister shouted, putting on her sweater and storming out.

   Sarah emerged from the bathroom off the kitchen just as Rebecca bolted out.

   “Why did Rebecca yell at you?” Sarah asked.

   “She said I ask too many questions.”

   “What did you ask?”

   “Why she forced us to leave Palestine if she liked Alon so much?”

   My grandmother regarded my face, sat down next to me, and took hold of my hands.

   “Some questions are difficult to answer.  But really Rebecca was angry with herself, not you.”

   “If it was so confusing and so hard for her, why did she make us leave Palestine?”

   “Feelings cannot be figured out like an arithmetic problem.  Emotions and reason, like oil and water, coexist but keep separate.  It felt right to her at the time.”

   “I don’t understand.”

   “Rebecca always had a strong desire to come to America.  When we left Odessa in 1920 to emigrate to Palestine, she wanted to go with her father and brother to America.  Nine years later, money and papers arrived from Daniel and her dream of living in America came within reach.  She was able to overcome her feelings for Alon.”

   “So now she regrets that she left Alon and Tel Aviv?”

   “Yes.”  Sarah interlaced her fingers and puckered her lips.  “Rebecca has been miserable ever since our life turned bitter with the loss of Daniel’s house and the breakup of our family.”

   “Is that how you feel, Imma?”

   Sarah got up and walked over to the sink, her back to me.  “Who can know how the future will play out?”  Her voice trailed off as she poured herself a glass of water.

   “We should have remained in Palestine,” I mumbled.

   “Yes, I know,” Sarah said.  “My heart hasn’t ceased to yearn for the Holy Land.  Still, we must willingly accept whatever the Almighty ordains for us.” 

________________________________________________________________________________________

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Copyright © William Stong 2010

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Words: Visible Thoughts TM

Email: william.a.stong@gmail.com

PHW # 37

Copyright © William A. Stong 2010

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Blog for 1/24/2010

Copyright ©  2010  J. B. Drori

Dear Readers,

Herewith is the first half of chapter 9 of my novel, ANCIENT STONES.  I first began last August posting portions of it.  I hope you find it interesting.  Is it worthy of being published?

I appreciate your comments.

ANCIENT STONES

J.B. Drori

Chapter  9

 

   The first thing I saw when I woke the next day was light pouring through two curtainless windows at the far side of the living room.  Sunrays illuminated the scraped wood floor below the windowsills.

   I lay on a thin mattress on a narrow iron bed in a corner of a long rectangular room and surveyed my surroundings.  Overnight everything had changed.  A different bed in a different apartment in another city.  One world was shuttered and another one opened.  Each one stranger than the next.

   I replayed in my mind our departure from Detroit.  How peculiar it was that I could not think of one friend or one teacher in that city.  I had moved from one neighborhood to another, attended two schools, yet nothing endearing had come with me, nothing had touched me.

   My grandmother bustled in.  “Well, well, it’s about time you got up, Jacob.”

   I stretched.  “What time is it?”

   “Almost ten.  You slept ten hours straight, hardly moving.  You were one tired boy.”

   “It was the bus ride.  How late did you sleep?”

   “Until nine.  I wanted to make breakfast for Rebecca but she had already left.”

   “Imma,” I said, sitting up against my pillows.  “Is Rebecca all right?”

   “What do you mean?”

   “She doesn’t look good – tense and thin.”

   “You’re not much fatter, you know,” Sarah said.  “She has not been eating well.  I will see that that changes.”

   “Imma, you’re evading.”

   “Yes, I did notice she was edgy.  It’s the hard work and long hours, I’m sure.”

   “Is something troubling her?”

   “I don’t know.  I hope she will tell me if it is.”  Sarah turned to go into the kitchen.  “Now you must get up, Jacob.  I made hot oatmeal for you.

   “What about school?”

   “It’s too late today.  We’ll register you first thing tomorrow morning.  I want to prepare a special meal today for Rebecca.  We’ll go to the market she told us about.”

   “Okay.  I’ll wash up.”

   “After shopping we’ll go to the synagogue Rebecca found.  She said it has a good Hebrew School.”

   I put on my long khaki pants and white shirt and entered the kitchen.  Halfway through the cereal, I said to Sarah across from me at the oval table, “I’m tired of going to Talmud Torah.  Hebrew schools are dull.  After a whole day in public school, I don’t feel like being cooped up for another two hours.”

   “You must.  You will turn thirteen, a Bar Mitzvah, on October seventh, next year, God willing.”

   “I know more Hebrew than the teachers.  They don’t explain anything.  It is a waste of time.”

   “There is more to learning Torah and prayers than just knowing how to read Hebrew.  You had some bad teachers.  It will be different here.”

   “I don’t want to go.  It will be boring like it always is.”

   I witnessed a soft gaze supplant the hard glint in Sarah’s hazel eyes.  “Please try it for a month.  If you still hate going I’ll ask the Rabbi to give you private lessons.”

   “That will cost more.”

   “I will speak to the Rabbi.”

   I cringed.  The tuition in my previous Talmud Torah in Detroit was waived because Rebecca worked there as the principal’s assistant.  Sarah hated to ask Joseph for more money, reiterating to me how fortunate we were that in addition to his own family he was willing to support us.  On top of that, since his father had fallen on bad times, Daniel was now living in the basement of Joseph’s house, much to the displeasure of his wife, Katerina.  So, I reflected, Joseph could stand up to her if he wanted to.

   I knew precisely what my grandmother meant in saying she would speak to the Rabbi.  That was what she did when she enrolled me at the Tachkemoni Talmud Torah, the religious school in Tel Aviv.  She informed the principal Rabbi that I was her grandson, an orphan, with no mother or father.  The gray bearded man scrutinized me a second time, his black eyes bathing me with dark pity.  An exemption of tuition promptly ensued.  My insides tightened.

Scene (excerpt): Japanese (Nagasaki, samurai by pond 1577)

Copyright © William Stong 2010

Back in September ‘09, in Components of Writing: The Unfolding, I outlined a plan to cover “Characters” and “Settings” via excerpts from my historical adventure (yes, late 1500’s/early 1600’s) of the three main national views:

● The English

● The Spanish

● The Japanese

To do this, excerpts covering the introduction of the main characters from each nation have been followed by a scene involving only that nation. Today’s post is the very last in the series: the scene for the Japanese part of the book.

***

The bodies of the runners glistened with sweat, their arms locking the thick center-beam on their shoulders. The kago swayed between them as the men bent their knees to lower the palanquin to the ground in front of a wooden gate set into the long white wall. A small group of kimono-clad women and girls waited in the shade of the pitched grey-tiled roof over the gate. The kago’s black-lacquered lattice door slid open with a soft shush. Eager, practiced hands took the white silk bundle even as the baby snuggled within began to wake. Pulling the baby close to her chest, the matron wrapped her arms around the infant so that he was safe and comfortable. She went up the steps and padded along the polished wood veranda. After following several passageways that took her deep into the house, she turned right and stepped onto an interior veranda that skirted a tranquil garden laid out in a classical style. Spring birds softly tittered and chirped in the sunlight. She continued along the veranda and stopped in front of an open shoji rice paper partition where a samurai in his thirties squatted.

Takamatsu

The lady softly said a few words and the samurai stood to let her pass. Her feet left her sandals on the polished veranda and she stepped onto tatami mats. The woven rice straw was smooth and cool underfoot.  It was a large room, maybe as many as thirty mats. A middle-aged woman stood in the center of the room dressed in an exquisite kimono: white cranes swooping in for landings on a bright blue mountain lake. Along the white shoji partitions, which were all shut, ten women sat patiently on their legs, all dressed in their best silk kimono. The older women, the more experienced nurse maids, wore dark colors. But the designs, whether landscapes or intricate patterns, were stunning in their simplicity and contrasting whites or yellows. The youngest maids, still in their teens, wore the brightest kimono with brilliant colors and designs that rose and wrapped and weaved with the way the kimono were put together. In between in age, experience and brightness of kimono, were the nursemaids who did most of the work with the babies they were responsible for raising.

When the new bundle arrived, the women moved in a flow that had been choreographed long ago. The matron moved to the center of the room and bowed to the Lady of the villa. The Lady took the baby and gently pulled aside silk cloths to gaze upon the new face. She smiled down into the baby’s bright eyes. Holding the newest addition to her lord’s house, the Lady was pleased with the dedication and performance of her nursemaids. There were challenges, but the introduction of this new child was going fine and that boded well for the future.

Japanese water garden with koi (carp)

The matron of the nurse maids shuffled a few inches forward and bowed again. She recited the customary welcome in a most pleasing lyrical voice that didn’t seem to be coming from her mouth. The Lady smiled and handed the bundle back to her matron with the equally customary admonitions. Her duty completed, the Lady left the room. The samurai at the door bowed deeply as she passed onto the veranda and disappeared into another part of the villa.

The samurai watched the cluster of nursemaids surrounding the matron like ants around a queen. Everything was going as it should, so he sat down on a corner of the tatami next to the veranda. He rocked back and forth to settle into a comfortable, cross-legged position instead of formal sitting. His watch was just beginning. He looked out at the garden and let its form and greenery seep into his being. He let it put his spirit to rest so that his soul could be refreshed. His mind’s ear tuned itself to the women behind him and he absorbed the skill and artistry of whoever had designed the garden. The soft chattering of the birds and the occasional swishing of a carp in the pond eased him into the oneness of nature. The warming streams of sunlight on his armor soothed him into a trance-like state.

***

Bill

Words: Visible Thoughts TM

Email: william.a.stong@gmail.com

PHW # 36

Copyright © William A. Stong 2010

Icon/Photo Credits:

* 1: Takamatsu photo:

http://en.wikipedia.org/wiki/File:Takamatsu-Castle-Building-Interior-M3488.jpg

This photograph was taken in the city of Takamatsu, Kagawa prefecture, Japan. This building is at Takamatsu Castle. It appears to be the Hiun-kaku (披雲閣), a Taishō-period building on the site of the original of the same name.

I, the copyright holder of this work, hereby release it into the public domain. This applies worldwide.

In case this is not legally possible:
I grant anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

* 2: Japanese Water Garden with Carp

http://en.wikipedia.org/wiki/File:Japanese_water_garden_with_carp.jpg

Photograph © Andrew Dunn, 1990. Website: http://www.andrewdunnphoto.com/

I, the copyright holder of this work, hereby publish it under the following license:

This file is licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license.
You are free:

  • to share – to copy, distribute and transmit the work
  • to remix – to adapt the work

Under the following conditions:

  • attribution – You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
  • share alike – If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.

Spatial Images: The Green City 2/3  (Hjersman)

Copyright  ©  Peter Hjersman 2009 

 

          “Yes, almost.  That is the vital part, the part that gives us life: the challenge.  Without a challenge, we would not stay.  There would be no essence, no meaning to our lives if we had all that we needed handed to us.  Yet, what we need is unique to each of us and we must strive for that.  Some hear of our happiness and come expecting to receive all they want.  We know that without exercise the body dies; without a challenge the spirit dies.” 

            This was what I had been seeking.  I felt the strength, the spark, the joy of living return to my body, fill me, and carry me in waves of ecstasy.  I don’t know how long this took.  The wind blew, the sun shifted, distant voices barely penetrated my thoughts.  The citizen was still there when I regained my focus. 

            “What about those who seek corruptive power or wealth?” I asked.  

            “The greatest wealth we have is our vitality.  Power?  One can gain power only over those who live in fear and who are willing to give away their own power.” 

            I cried.  It was so beautiful.  It was all I could ever have dreamed.  Yet as I returned to the king, I knew I could not remain there.  My life was renewed; my energy and strength returned…now my work begins. 

            “You may visit as often as you wish.  Your thoughts about our city are of great interest and use to us.  I delight in our conversations and want to hear more of your goals and their purpose.  I welcome you as a citizen of our city.” 

            “You are most gracious, King Anabar.  As I venture outside my world, I may need the kind support from you and your city.  I know, at last, where my challenge lies and what I must do.  I look forward to returning often.” 

            Between my frequent visits to The Green City and my forays through my own world, I changed my room.  My bed floated buoyantly through the green seas and my books were safe on shelves well above the occasional green mark.  The room that had been a retreat is now a vessel.  After starting work, I rented another apartment upstairs. 

     I often checked the status of the green liquid.  One day, the green liquid was about half-drained from my basement room.  But…it did not look right.  The usual shimmering emerald green was dull, flat, and not so inviting.  I immediately visited the Green City and found King Anabar. 

    “King Anabar—please check the green liquid before anyone eats anything made with it.  I think something is wrong.” 

     “Wrong?” he asked, “What could be wrong?  We have done this routine for the time of many births.” 

     “I don’t know.  It just looked…not right.” 

     “Okay.  The solution experts will check it.  We have a filtering system and should be able to find any problem.” 

      “I hope I am wrong and no one is injured.” 

     I wandered about for a short time.  A man ran up to me and said the king wants to see me now. 

     “You were right,” said the king, “There was some poison in the water, actually quite a bit.  Only a small amount of solution was distributed and no one has reported any problems yet.  We have a reserve so no one will go without food.” 

    A man came in and handed the king some papers. 

     “Ah, here it is.  We determined that a large amount of rat poison was in the solution.  A few people became ill, but we knew the potential and were ready, so everyone is okay.  Any idea how that happened?” asked the King. 

     “No one takes me serious about the Green City.  If they did, then everyone would want to visit and there could be repercussions, not necessarily beneficial.  When the liquid first came into my room, all the boarders wanted to know why.  Without thinking, I told them about the Green City and the solution was a food-base.  Since I am known as a dreamer, they thought I was joking and most were satisfied.”

     “’Most’…?” asked the King. 

     “One guy was bothered.  Somehow, he sensed your city was no joke.  He pushed and cajoled me to show him the Green City.  I kept the joke going and I thought he finally gave up.  Apparently, not so.  He regularly rearranged people’s faces and ribs, if they disagree with him in any way he can imagine.” 

     “Keep in touch,” said the king. 

###

 

Blog for 1/17/10

Copyright  – 2010- J. B. Drori

Last week I posted the first half of chapter 8.  The protagonist,  Jacob, and his grandmother, Sarah, had just arrived in New York from Detroit, rejoining his sister, Rebecca.  She has come to meet them at the Greyhound Bus Station.   

  ANCIENT STONES

Chapter 8 

 

   A train of fourteen coaches clanged out of a dark tunnel to my left and screeched to a halt in the middle of the platform.  Scores of double metal doors swooshed open as a torrent of commuters raced out, deftly sidestepping us.  Rebecca and Sarah waded into the crowd, squeezed through and seized an empty space on a bamboo covered bench along the bulkhead, making room for me between them.

   “How is Papa?” Rebecca asked.

   “We last saw him two weeks ago,” Sarah said.  “He goes out of Detroit to look for work.  Sometimes he stays over at Joseph’s.”

   Rebecca did not inquire further and Sarah added nothing more.  Neither did I.  It didn’t matter much to me but I was puzzled that it didn’t to them either.  Except for sometime watching him eat in the kitchen or when leaving for work early in the morning, I had little to do with my grandfather.  But why were his daughter and wife so indifferent?  I was thrown sideways as the train swerved around a long curve, jerking back and forth between Sarah and Rebecca and forgot all about Daniel. 

   The commuters had thinned out by the time the train reached our destination in the Crown Heights section of Brooklyn, fifty minutes later.  We exited at Utica Avenue, corner of Eastern Parkway, and headed three blocks west to a long thoroughfare that extended for miles in both directions.  

   After a fifteen-minute trolley-ride we got off and hiked on the sidewalk parallel to the tracks.  After about ten minutes we entered a double story tenement building at 17305 St. Johns Place.  For some strange reason that address always lingered in my memory.  We climbed the unlit staircase to the second floor and waited for Rebecca to unlock the door of an apartment.  She clicked on a large ceramic electric switch and turned on dusty light bulb at the end of a long electric cord that swayed like a pendulum in the shadows.

   Sarah touched the mezuzah on the right door-post, kissed her finger-tips, and entered.

   “Thank you, Rebecca,” her mother said, smiling.

   I recalled Sarah’s opposite reaction when she first crossed the threshold of her husband’s house in Detroit.  She recoiled in horror, balking at entering because there was no mezuzah on the door post.  I stared at my Grandmother, wondering how she was able to keep the faith in the four thousand year tradition of the mezuzah.  I had learned that it was a sign for Jews to remember that God exists everywhere, wherever we might be, and especially in the home.

   We walked into a railway flat in the old tenement building that extended from the front room above St. Johns Place to the kitchen in the rear.  Two wood-framed windows overlooked a wood-fenced in backyard, flourishing with three foot high weeds.  

   Sarah stepped over to inspect a cast-iron coal stove at the center of the long kitchen wall.  “The stove is old but solid.”

   “It’s cold in the winter,” Rebecca said, opening the oven door.  “All the heat we get here is from this stove.  That’s why this place is known as cold flat.”

   “That’s not enough,” I said, sitting down on a chair at an oval pine table.

   “It’ll have to do,” my sister said.  “You’ll just have to wear more clothes.”  She opened a small upper door of a tin lined wooden icebox.  “I bought milk, cheese, eggs, and cucumbers.”

   “I’m hungry,” I said. 

   “I’ll make you a sandwich.”

   “I purchased a bag of coal for the stove,” Rebecca added.

   “Tomorrow we’ll have a fire,” Sarah said.

   “This is the best I could do, Mama.”

   “You’ve done well, Rebecca,” she said turning to embrace her.  “Quite amazing, considering how hard it is to get a job.  The most wonderful gift you’ve given us is bringing us together.  We are a family again.  Without one, a person cannot survive long and will wither away.”

   ”I know it isn’t much but…”

   “Joseph promised to send as much as he can afford each month,” Sarah interrupted.  “So don’t worry.  With God’s help we will manage.”

   “Mama, there’s a synagogue three blocks from here,” Rebecca offered with pride in her voice.  “A market, two blocks up the other way with kosher butchers, vegetable stores, fruit stands, and dairies.”

   “Good.  I’ll cook a good dinner tomorrow.  We’ll celebrate.” 

   “I am going to sleep now,” Rebecca said.  “I have to be at work by seven.”

   “How long does it take you to get there?” I asked.

   “An hour and a half.”

   “When do you leave?”

   “At five thirty.”

   “That is a long day,” Sarah said.  “You must be exhausted by the time you come home.”

   “Every day?” I asked.

   “Yes, except on Sundays,” Rebecca said.

   “You mean you work on Saturday?” I asked.

   “Of course, like everyone else,” Rebecca snapped, “if I want to have a job.”

   My mouth fell open.  Was nothing holy anymore?  All my life I had learned that the Holy Sabbath was sacred.  So how was it that my sister, with Sarah looking on, simply announced that was what she had to do – work on Shabbat, the holiest day of the week – and that was that.  I was stupefied.

Character Introduction: Alyson (Ise Shrine 1608) (3/3)

Copyright © William Stong 2010

This is the final installment of introducing the main characters in my historical adventure set in the late 1500’s and early 1600’s. It’s also the last of three installments introducing the second of the main (fictional) Japanese characters.

Nancy, Alyson’s English mother, has caught up with her family. After showing their papers to the guards, the family has crossed over to the precincts of Ise Shrine.  The Shirakawas, by design, are the first to arrive for the secret conference and, before being shown to their rooms, the family is enjoying a private stroll along the banks of the sacred Isuzu river.

***

The family walked into a meadow bordering the river. Nancy glanced up. The sun was a perfect orb. Even in the dead of winter, it warmed them. How appropriate, for this place, that the sun was so useful. She squinted her eyes, scanned the sky. Soon, maybe another hour, they would have to be at the main shrine; where monks would take them to their rooms before the others, whoever they might be, arrived. In the meantime, it was a beautiful day, they were alone in a hallowed place, and Nancy would enjoy this serenity with her family for as long as she could.

Alyson ran ahead and investigated all sorts of plants, insects and animals. Nancy never understood her daughter’s fearlessness with animals. Especially snakes. It seemed that Japanese children were closer to nature than English ones. Or maybe it was how they were raising her daughter…Nancy wasn’t sure. There was so much she wasn’t privy to, wasn’t allowed to know. She could speak Japanese fluently at last. Not as well as her daughter, of course; there were so many nuances, so many special cases. Nancy’s mind drifted back to her own childhood…if you could call what she went through a childhood. She thought about animals. Growing up in London, most of the animals in the alleys of that city weren’t of the cuddly type. She shuddered. It had been years since she’d eaten rat.

Alyson was up ahead rummaging among reeds swaying in the slight breeze. She would squat and bounce ahead a couple of feet at a time; her knees jutting out like a toad. Her hands darted into the reeds. Sounds of small splashes floated back to Yasuji and Nancy as they strolled together through the grass. Nancy hoped her daughter wasn’t getting her sleeves too wet and muddy.

For several minutes, Alyson stayed in one place and her parents caught up. They stood behind her while she busily worked at something.

“Did you find anything interesting?” asked Nancy.

Alyson shot a glance over her shoulder. “Oh, yes! Papa and Mum! You have to see this. I learned it from the boys.” She stood up with a frog in one hand. Its long legs pumped the air but it wasn’t going anywhere.

Ignoring her daughter’s sodden tabi and muddy sleeves, Nancy leaned forward and studied the creature. “Well, it’s a pretty one. I’ve always liked frogs. So many different shapes and colors. And I love their songs on a warm summer night.”

“Look what I learned!” said Alyson, her red cheeks glistening and her eyes sparkling. She lifted the frog level with her face. For a moment Nancy thought her daughter was going to kiss…the wrong end.  Instead, Alyson wiggled a hollow reed into the frog’s bum and blew several quick puffs of air up it. The frog’s belly swelled like a small balloon.

Nancy sucked in a rush of air and her bright blue-green eyes popped wide-open.

Alyson, using her thumb to cover the entry point, eased the reed out and, with a smile, set the bloated frog on its back on the surface of the river. The current carried the hapless animal away. The frog flailed its legs wildly: helpless like an overturned turtle, it slowly rotated.

“Pffftt!” went the frog. It deflated. Rolling over on its stomach, the frog swam toward the far side bank with long powerful strokes of its hind legs.

“Did you see that?” asked Alyson, clapping her hands in short bursts and pointing, “Did you see that Mother and Father?”

“Huuh!” said her father, with a sharp nod and a twinkle in his eye. Nancy flashed her husband a hard look.

“Yes, I saw that Alyson.” Nancy sighed. “You must never, never do that again.”

Alyson’s smile disappeared and her big eyes looked up at her mother, the rest of her face placid.

Nancy knew the look. She gave her daughter a small smile and squatted–in the Japanese style; yes, like a frog–to talk face-to-face. “Alyson. It was interesting–I’ve definitely never seen anything like that. But it must have been painful for the frog.” She reached out and cradled her daughter’s hands in hers. “Don’t you think?”

Alyson’s head slowly moved down and then up. Drawing each syllable out, she said, “I suppose so.”  She shot a glance behind her mother to her father.

Nancy patted Alyson’s hand. Her daughter’s eyes darted back. “So, let’s not do that again, shall we?”

“Fine,” said Alyson. In English.

***

So, tell us: does Alyson’s introduction work?  She would love to know! What kind of person is she? Who is she?

Bill

Words: Visible Thoughts TM

Email: william.a.stong@gmail.com

PHW # 35

Copyright © William A. Stong 2010

Photo Credits:

1. Isuzu River:

http://en.wikipedia.org/wiki/Isuzu_River

http://en.wikipedia.org/wiki/File:Uji-bashi_01.JPG

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